Michael Belmore & Frank Shebageget in wāwīndamaw – promise: Indigenous Art and Colonial Treaties in Canada, at Nordamerika Native Museum (NONAM), Zurich.

Michael Belmore will participate in Exploring Black and Indigenous Futurisms 2022 Edition: Rock as Witness alongside Quentin VerCetty, Dr. Karyn Recollet and Dr. Audrey Hudson.

Video describing Team Rapoport’s shortlisted design for the Global Affairs Canada Commemorative Artwork.

Team Rapoport’s artwork The Eddy is short listed for a commemorative artwork that honours fallen Canadian foreign service workers. Inspired by the Global Affairs Canada site alongside the Rideau River.

Central Art Garage to participate in Art Toronto 2021 with artists Barry Ace, Joi, T Arcand, Michael Belmore, D’Andrea Bowie, Camal and Camille, Maura Doyle, Adrian Göllner, Craig Leonard, Bozica Radjenovic, and Frank Shebageget.

Michael Belmore’s installation will incorporate natural objects and elements. Much like his previous works, in this installation he will reflect upon his own identity as an Anishinaabe.

Mackenzie Studio Sunday: Michael’ Belmore’s artwork often looks at the “in-between” places. Copper can represent the space between the land and sky, the connection between water and fire, and the connection between spirits and the Earth.

Artist Michael Belmore has been selected to create the public art piece for The Nogojiwanong Project. Nogojiwanong is an Anishinaabe word meaning “place at the foot of the rapids,” is the name given to the gathering place at the bottom of a turbulent stretch of the Otonabee River, which would later become Peterborough.

Michael Belmore is featured in Vie des Arts magazine. The review by Marie Perrault details the importance of copper in artist Michael Belmore's practice. 'Anchored in matter, it testifies to the close links of dependence that humans maintain with the Earth, as much as it denounces the impact of colonialism on matter, copper, stone, in the long course of history.'

Border Crossings report on AGNS exhibition “Sense of Site”. Artists took different approaches to presenting versions of their “Landmarks 2017/Repères 2017” site-specific projects. The original project was set in national parks and historical sites across Canada, featuring work by Michael Belmore, Ursula Johnson, Camille Turner and other artists.

This two-person exhibition brings into dialogue the work of the Australian Aboriginal artist Yhonnie Scarce (Kokatha and Nukunu peoples) and the Canadian First Nations artist Michael Belmore (Ojibway).

This publication accompanied Michael Belmore And A.J. Casson: Nkweshkdaadiimgak Miinwaa Bakeziibiisan / Confluences And Tributaries.

Concord Park Place's Woodsy Park to Feature Public Art, Ebb and Flow by Sculptor Michael Belmore. Large erratic boulders, unearthed during construction were carved on site. In embellishing these stones Belmore speaks to the stone's original state of liquid fire, and the ebb and flow effect of ancient glacial forces of ice and water.

MICHAEL BELMORE is paired with the legendary painter A.J. Casson in Confluences and Tributaries / Nkweshkdaadiimgak Miinwaa Bakeziibiisan

Canadian Art's Agenda report on Michael Belmore’s solo exhibition, 'thunder sky turbulent water' at Central Art Garage. Work resembling the hood of a classic Firebird Trans-Am is cut and shaped out of huge sheets of copper and suspended from the ceiling with mechanic’s hoist, representing the upper and lower worlds in the Anishinaabe universe.

Reading this piece requires active engagement, and like traditional wampum, insists on a responsibility in that interaction.

Four distant sites. One glacial history. That’s the context for Ontario-based artist Michael Belmore’s Coalescence, a multi-part sculptural project. Carving and inlaying copper on 16 granite and bedrock boulders sourced from around Churchill, Manitoba, Belmore will create hearth-like arrays that appear to radiate heat. Central Art Garage Gallery news.

This two-person exhibition at the Museum London brings into dialogue the work of the Australian Aboriginal artist Yhonnie Scarce (Kokatha and Nukunu peoples) and the Canadian First Nations artist Michael Belmore (Ojibway).

Hamilton Spectator review of the AGO’s Every: Now: Then: Reframing Nationhood.

Michael Belmore, an Anishinaabe artist, offers Rumble, a blackened copper sandwich of Trans-Am hoods, with effigies of spiritually significant creatures - a Thunderbird on one side, water panthers on the other - glowing from within.

Nearby looms Bell part of a slickly stylized photo-portrait project by Camal Pirbhai and Camille Turner, which was drawn from a shocking source: 19th-century Canadian classified ads placed by owners in search of their runaway slaves.

It’s Complicated, an exhibition by 10 local Aboriginal artists responding to celebrations marking Canada’s 150th birthday. The exhibition is part of the National Arts Centre’s Canada Scene.